"I first laid down an oval framework, considerably longer than half a cubit… upon this ground, wishing to suggest the interminglement of land and ocean, I modelled two figures, considerably taller than a palm in height, which were seated with their legs interlaced, suggesting those lengthier branches of the sea which run up into the continents. The sea was a man, and in his hand I placed a ship, elaborately wrought in all its details, and well adapted to hold a quantity of salt. Beneath him I grouped the four sea-horses, and in his right hand he held his trident. The earth I fashioned like a woman, with all the beauty of form, the grace, and charm of which my art was capable. She had a richly decorated temple firmly based upon the ground at one side; and here her hand rested. This I intended to receive the pepper. In her other hand I put a cornucopia, overflowing with all the natural treasures I could think of. Below this goddess, in the part which represented earth, I collected the fairest animals that haunt our globe. In the quarter presided over by the deity of ocean, I fashioned such choice kinds of fishes and shells as could be properly displayed in that small space."
“It so happened on one of those mornings… …that a very fine splinter of steel flew into my right eye, and embedded itself so deeply in the pupil that it could not be extracted. I thought for certain I must lose the sight of that eye. After some days I sent for Maestro Raffaello dé Pilli, the surgeon, who obtained a couple of live pigeons, and placing me upon my back across a table, took the birds and opened a large vein they have beneath the wing, so that the blood gushed out into my eye. I felt immediately relieved, and in the space of two days the splinter came away, and I remained with eyesight greatly improved.”A coincidental recover. But there is the answer to the question. The designer of the world’s most expensive salt shaker used pigeon’s blood to remove a steel splinter from his eye.
Famed 'La Saliera' sculpture back on display in Vienna – 2013 Article
http://www.reuters.com/article/2013/02/28/uk-art-austria-saliera-idUSLNE91R02420130228
Autobiography of Benvenuto Cellini on Project Guttenberg -
http://www.gutenberg.org/cache/epub/4028/pg4028.html
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